In Lynn Shelton’s film, two strange, yet very interesting, posters were selected for Sam Rockwell’s office. Yakov Protazanov’s silent sci-fi epic Aelita (1924) and Joseph Green’s peculiar horror film, The Brain That Wouldn’t Die (1964).
There’s also a nice postcard in Gretchen Mol’s house, from Irving Cummings’ In Old Arizona (1928).
Scenes from Lynn Shelton’s Laggies (2014).
