[Thanks to Katerina P. Trichia for contributing.]
Jean-Luc Godard created one of the most powerful scenes that take place in a cinema during a film screening. Anna Karina weeps while watching Falconetti’s close-ups in Carl Theodor Dreyer’s La passion de Jeanne d’Arc (1928).
Additionally, a proof that members of Nouvelle Vague used to support each other’s works. Poster of François Truffaut’s Jules et Jim (1962).
Scenes from Jean-Luc Godard’s Vivre sa Vie (1962).
